Prepared for
Industries · Media & EntertainmentMore content shipped, audiences who stay.
From first message to approved action. A person stays in control at every step.
The numbers and workflow statuses I'd set up for a publisher, streaming channel or production studio, in one view. Illustrative only: a fictional studio with sample data.
Media and entertainment teams already run a content management system, a digital asset library, project boards, social scheduling tools and an analytics stack. What is usually missing is the workflow between them: briefs rewritten by hand, assets tagged inconsistently, and audience data that never reaches the people planning next week's content. I build AI workflows that draft metadata and short clips, tag archives, summarise audience behaviour and personalise newsletters and recommendations. Your editors approve anything that needs a human eye before it is published.
Send me recent exports from your analytics, channels or podcast host. I show you which content earns your audience, where clips and sponsors are being missed, and the three fixes to start with.
Enter your own numbers: repetitive tasks like enquiries, bookings, documents, orders and reports. Nothing is sent anywhere.
A simulated fortnight at Studio 1. Each card is an episode moving through your workflow, with a person approving anything important. Sample data.
Simulation with sample data. Real timing depends on your volumes, systems and team.
Reach more people with the content you already make.
The strongest moments in each episode or video are found and cut into short clips, with captions, titles and sizes for every channel. You choose what goes out, and a week of posts is scheduled.
Simulate this for my business →
Trending topics that match your past shows are spotted early, and a clip and post are drafted while the buzz is still live. Your team approves every post before it goes out.
Simulate this for my business →Turn attention into sponsors and loyal readers.
Brands are scored by how closely their customers match your audience, and a pitch is drafted with your audience data, ad slots and pricing for you to review and send. Want a full sponsor campaign with qualified sponsors handed to you? See Events, Podcasts & Communities.
Simulate this for my business →
One draft becomes a version for each audience segment, each leading with the stories and clips that segment cares about, so more readers open and click.
Simulate this for my business →Plan live events where your fans really are.
Listener locations, ticket interest and free venue dates are combined into a shortlist of cities and dates, with a ticket demand forecast for each option.
Simulate this for my business →Know what to make next, and keep your audience coming back.
Each week, top topics, drop-off points, comment themes and lapsing listeners are summarised for every editorial team, with the next episode or story suggested from real audience questions.
Simulate this for my business →Ten modules that read your analytics, CMS, socials and ticketing data, and show where your audience and revenue come from.
Identifies brands whose customers match your audience and drafts a sponsor pitch.
Watch the demo →Shows who your audience is, where they come from and what keeps them listening.
Watch the demo →Picks the city, date and format for your next event from audience demand.
Watch the demo →Spots trending moments and drafts posts and clips while the buzz is live.
Watch the demo →Ranks what to make more of by topic, format and channel.
Tracks ad inventory, fill rate and sponsor delivery against each contract.
Forecasts ticket sales and suggests price tiers before you announce a show.
Suggests guests, hosts and collaborators your audience will tune in for.
Flags expiring licences and assets used without clearance before you publish.
Answers common questions directly from your analytics, CMS and sales data.
For publishers, broadcasters, streaming channels, podcast networks and production studios. Tick what fits your business, then send me your list and I'll tell you where to start.
Each pack bundles the use cases that work best together, so you get a working result first and add more once it pays off.
Best for: Teams that want more reach from the content they already publish.
Best for: Podcasts and channels that want more sponsors and better-run ad deals.
Best for: Editorial teams that want to know what to make next and keep their audience.
Best for: Creators and media brands planning live shows, tours or meet-ups.
Fill in this form. Your details go to shahzad@shazzbiz.com and you get a short plan with your quickest wins and pricing. Questions first? Ask on WhatsApp.
Something else on your mind? Ask me on a short call.
Yes. I build on top of your content management system, asset library and editing tools, for example WordPress, Frame.io or Adobe Premiere Pro, plus your social scheduling and analytics tools. Where a system has an API or integration, I connect to it directly. Where it does not, we use exports, shared folders or simple forms. Your team keeps working in the tools it knows.
No, unless you choose that for routine items like tags or captions. Scripts, headlines, social posts and anything that carries your name run in "draft for approval" mode. An editor reviews, edits and publishes. The AI saves time on first drafts and repetitive formatting, while editorial judgement stays with your team.
Your content and archive stay yours. I set workflows up so the AI works from your own material and approved sources, and flags rights, licence and expiry details before anything is reused. Generated images, music or voice are only used where your licence terms and policies allow, and a person signs off on every rights question.
Audience data stays in your own systems wherever possible. Before building, we agree what the AI can access, where data is stored and processed, and how long it is kept, in line with the data protection rules where you operate, such as UK GDPR or the UAE's PDPL. Personalisation only uses consent you already hold, and access is limited by role and logged.
No. I set everything up, connect the tools and show your team how it works. Day to day, editors and producers approve drafts, search the archive and read the weekly digest, all from tools they already use. If something needs changing, like a new show format or house style rule, you tell me in plain language and I update it.
It depends on your tools, the size of your team and catalogue, and the use cases you start with. A first workflow, such as transcripts and metadata on upload, can often be running within a few weeks. A short call gives you a clear scope, timeline and price for the first step, so you know what you are getting before any work starts.
Free 15-minute call · I'll point out your quickest win · No obligation
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